The San Francisco Chronicle exclaims, “For theatrical charisma and musical bravado, it would be hard to top the performance of baritone Efraín Solís.” He is a recent graduate of the San Francisco Opera Adler Fellowship and while with the company sang his first performances of Papageno in Die Zauberflöte, Dandini in La cenerentola, Schaunard in La bohème, Silvano in Un ballo in maschera, Sciarrone in Tosca, and Prince Yamadori in Madama Butterfly. In the 2016-17 season, he debuts the role of Figaro in Le nozze di Figaro with Opera Memphis and is presented in recital by the El Camino College Center for the Arts.
Other recent performances for the Mexican American baritone include Mercutio in Roméo et Juliette with Opera Carolina, Virginia Opera, and Toledo Opera, Slook in La cambiale di matrimonio with Nicholas McGegan conducting Philharmonia Baroque, and Glass’ Hydrogen Jukebox with West Edge Opera. He also joined the New Century Chamber Orchestra and Nadja Salerno-Sonnenberg as Gaspar in a semi-staged production of Donizetti’s Rita and the Berkeley Community Chorus and Orchestra for Britten’s War Requiem. An active recitalist, he joined Steven Blier and the New York Festival of Song for its Compositura program and was presented in a Schwabacher Debut Recital in San Francisco.
He is an alumnus of the prestigious Merola Opera Program in association with San Francisco Opera, at which he sang Junius in The Rape of Lucretia and covered Count Almaviva in Le nozze di Figaro. He is also a former member of Opera Santa Barbara’s Studio Artist Program. In 2013, he was a Grand Finalist in the Metropolitan Opera National Council Auditions and sang arias from Rodelina and Le nozze di Figaro on the famed company’s stage with Marco Armilianto conducting. He was also a finalist in Houston Grand Opera's Eleanor McCollum Competition. He holds a Master of Music from San Francisco Conservatory of Music, at which he sang Guglielmo in Così fan tutte and Mahler’s Lieder eines fahrenden Gesellen and while at Chapman University, his performances included Beethoven’s Mass in C and Puccini’s Messa di Gloria.